Non-Uniform Memory Access (NUMA) is a computer memory design used in multiprocessing, where the memory access time depends on the memory location relative to a processor. Under NUMA, a processor can access its own local memory faster than non-local memory, that is, memory local to another processor or memory shared between processors.
NUMA architectures logically follow in scaling from symmetric multiprocessing (SMP) architectures. Their commercial development came in work by Burroughs (later Unisys), Convex Computer (later Hewlett-Packard), Honeywell Information Systems Italy (HISI) (later Groupe Bull), Silicon Graphics (later Silicon Graphics International), Sequent Computer Systems (later IBM), Data General (later EMC) and Digital (later Compaq, now HP) during the 1990s. Techniques developed by these companies later featured in a variety of Unix-like operating systems, and somewhat in Windows NT.
The first commercial implementation of a NUMA-based Unix system was the Symmetrical Multi Processing XPS-100 family of servers, designed by Dan Gielan of VAST Corporation for Honeywell Information Systems Italy. The tremendous success of the architecture propelled HISI to the #1 spot of Unix vendors in Europe.
Read more about Non-Uniform Memory Access: Basic Concept, Cache Coherent NUMA (ccNUMA), NUMA Vs. Cluster Computing
Famous quotes containing the words memory and/or access:
“Everybodys an artist. Everybodys God. Its just that theyre inhibited. I believe in people so much that if the whole of civilization is burned so we dont have any memory of it, even then people will start to build their own art. It is a necessitya function. We dont need history.”
—Yoko Ono (b. 1933)
“The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two JoesMcCarthy and Stalinthat they were to produce only two artists, Saul Bellow and Philip Roth, who left town.”
—Ishmael Reed (b. 1938)