Level Design - History

History

In early days of video games, a single programmer would create the maps and layouts for a game, and a discipline or profession dedicated solely to level design did not exist.

Early games often featured a level system of ascending difficulty as opposed to progression of story-line.

The first game genre that required significant amounts of time to design areas were text-based games, such as MUDs. Often, promoted users were assigned to create new paths, new rooms, new equipment, and new actions, often using the game interface itself. ZZT is another early game notable for its user-accessible mapping and event triggering/scripting

One of the first games that had an individual whose job was solely to design the levels was 1983's Lode Runner, which was also one of the first titles to ship with a level editor.

Doom (1993) and Doom II (1994) were two of the first games to attract focused game modding activity, and many WAD level files were made for them. One of the reasons was a clear separation between the level files and game engine itself. Half-Life, Quake 3, and many other games have notable mapping tools and communities focusing on user-generated content.

In certain games, such as roguelike games, levels may be procedurally generated. In these cases, the original game programmer controls how the variations of rooms and tunnels are formed, by tweaking the randomly seeded algorithms.


Read more about this topic:  Level Design

Famous quotes containing the word history:

    We know only a single science, the science of history. One can look at history from two sides and divide it into the history of nature and the history of men. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.
    Karl Marx (1818–1883)

    Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.
    Conor Cruise O’Brien (b. 1917)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)