Production
The first appearance of a space-faring Robinson family (unrelated to the series' Robinsons) was in a comic book published by Gold Key Comics, The Space Family Robinson, in December 1962. The TV show came three years later, and during its run, CBS and 20th Century Fox reached an agreement with Gold Key Comics that allowed the usage of the name 'Robinson' for the show. After that, the TV series went ahead with stories separate from the comic book series. The TV series is an adaptation of the Johann David Wyss novel The Swiss Family Robinson. The astronaut family of Dr. John Robinson, accompanied by an Air Force pilot and a robot, set out from an overpopulated Earth in the spaceship Jupiter 2 to visit a planet circling the star Alpha Centauri with hopes of colonizing it. Their mission in 1997 (the official launch date of the Jupiter 2 was October 16, 1997) is immediately sabotaged by Dr. Zachary Smith, who slips aboard their spaceship and reprograms the robot to destroy the ship and crew. Smith is trapped aboard, saving himself by prematurely reviving the crew from suspended animation. They save the ship, but consequent damage leaves them lost in space. Eventually they crash on an alien world, later identified as Priplanis, where they must survive a host of adventures. Smith (whom Allen originally intended to kill off) remains through the series as a source of comedic cowardice and villainy, exploiting the forgiving (or forgetful) nature of the Robinsons. Smith was liked by the trusting Will Robinson, but he was disliked by both the Robot and the equally-suspicious Major Don West.
At the start of the second season, the repaired Jupiter 2 launches again, but after two episodes the Robinsons crash on another planet and spend the season there. This replicated the feel of the first season, although by this time the focus of the series was more on humor than straight action/adventure.
In the third season, the Robinson Family wasn't restricted to one world. The now-mobile Jupiter-2 would travel to other worlds in an attempt to return to Earth or to settle on their originally-desired planet in the Alpha Centauri system. The Space Pod was added as a means of transportation between the ship and planets. This season had a dramatically-different opening credits sequence.
Following the format of Allen's first TV series, Voyage to the Bottom of the Sea, fantasy-oriented adventure stories were emphasized. The show delivered a visual assault of special effects, explosions, monstrous aliens, spaceships, and exotic sets and costumes drenched in the bright, primary colors that were typical of early color television.
Read more about this topic: Zachary Smith
Famous quotes containing the word production:
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)