Gold Key

In fiction, a gold key is a special token granting access to and control of a mythical or ultra-private or secret bank account or vault, such as a Swiss bank account. In reality, the key is often a code word and accounts are not completely anonymous. A real "gold key" need not be made of or colored gold, or even a key. If it is a key it may not fit any lock; the keys are important as authentication tokens, not always as literal keys. In the case of the GoldKey Security Token, the USB token acts as a physical "key" to electronic data.

While Swiss law formerly granted nearly complete financial privacy, fully anonymous accounts are no longer available. Swiss banks are now required by law to obtain identifying information from any prospective clients. International pressure related to efforts to trace and identify terrorists and drug traffickers has eliminated the anonymous "Swiss bank account" that has appeared in numerous books and films and conspiracy theories. Other countries still offer bank accounts with varying degrees of anonymity. (See also: Offshore bank; Anonymous banking.)

The arrival of a "gold key client" typically results in an extra flurry of attention. A number of plot devices detail the method of authentication of the account-holder, adding to the mystery and drama of the client's arrival. It is a common literary device that banks do not admit publicly that "gold key" accounts actually exist, and characters are therefore invested into a sort of secret society when they are offered such an account.

Read more about Gold Key:  Literary References

Famous quotes containing the words gold and/or key:

    Then leaf subsides to leaf.
    So Eden sank to grief,
    So dawn goes down to day.
    Nothing gold can stay.
    Robert Frost (1874–1963)

    The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.
    Alasdair Chalmers MacIntyre (b. 1929)