Music
The theme music for the opening and closing credits was written by John Williams, the composer behind the Star Wars theme music who was listed in the credits as "Johnny Williams."
The original pilot and much of season one reused Bernard Herrmann's eerie score from the 1951 classic "The Day the Earth Stood Still."
For season three, the opening theme was revised (again by Williams) to a more exciting and faster tempo score, accompanied by live action shots of the cast, featuring a pumped-up countdown from seven to one to launch each week's episode. Seasons 1 and 2 had animated figures "life-roped" together drifting "hopelessly lost in space" and set to a dizzy and comical score.
Much of the incidental music in the series was written by Williams (who scored four episodes) and other notable film and television composers including Alexander Courage (composer of the Star Trek theme) who contributed six scores to the series. His most recognizable ("Wild Adventure") included his key theme for "Lorelei" composed for organ, woodwinds, and harp – thus cementing this highly recognizable theme with Williams' own "Chariot" and main theme for the series.
A series of soundtrack CDs were released containing only background and incidental music from the original TV series.
Read more about this topic: Zachary Smith
Famous quotes containing the word music:
“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (1889–1963)
“A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light
Whistled, and beat their wings
And crawled head downward down a blackened wall....”
—T.S. (Thomas Stearns)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)