Yellow Magic Orchestra (album)

Yellow Magic Orchestra (album)

Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records in Japan in 1978, the album was released by A&M Records in Europe and North America in early 1979, with the United States version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.

The album was an early example of synthpop, a genre that the band helped pioneer. It was also as an early example of a computer-themed album, and contributed to the development of electro, hip hop, techno, bleep techno, and chiptune. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds, and its sampling of video game sounds.

The album sold 250,000 copies in Japan and entered the Billboard 200 and R&B Albums charts in the United States. Its most successful single was "Computer Game / Firecracker", which sold over 400,000 records in the United States and was a top 20 hit in the United Kingdom.

Read more about Yellow Magic Orchestra (album):  Production, Release History, Personnel, Chart Positions, Computer Game / Firecracker

Famous quotes containing the words yellow, magic and/or orchestra:

    The skreak and skritter of evening gone
    And grackles gone and sorrows of the sun,
    The sorrows of sun, too, gone . . . the moon and moon,
    The yellow moon of words about the nightingale
    In measureless measures, not a bird for me....
    Wallace Stevens (1879–1955)

    A full bosom is actually a millstone around a woman’s neck: it endears her to the men who want to make their mammet of her, but she is never allowed to think that their popping eyes actually see her. Her breasts ... are not parts of a person but lures slung around her neck, to be kneaded and twisted like magic putty, or mumbled and mouthed like lolly ices.
    Germaine Greer (b. 1939)

    As the artist
    extends his world with
    one gratuitous flourish—a stroke of white or
    a run on the clarinet above the
    bass tones of the orchestra ...
    Denise Levertov (b. 1923)