Yellow Magic Orchestra (album) - Release History

Release History

The album was first released in Japan in 1978. It was released in the US on 30 May 1979 by A&M Records on the Horizon label with a new mix by Al Schmitt, new cover art and a slightly different track listing. This "US version" was subsequently released in Japan on 25 July 1979 by Alfa. Promotional A&M copies were pressed on yellow vinyl. A&M Records also released the album across Europe and Canada that same year.

"Firecracker" was released as a single under the name "Computer Game". As such, on early US pressings of the album, "Computer Game 'Theme from The Circus'" and "Firecracker" were combined as one track, while the firecracker sound effect at the end of the track was indexed by itself as "Firecracker". This was corrected on later pressings. US pressings also featured a more American-friendly mixing (highlighting a punchier equalization and heavy use of reverb). Several of the segues on the second side of the album were edited differently, while "Bridge over Troubled Music" was given an additional electric piano solo over top of the introductory percussion.

Region Date Label Format Catalog
Japan 25 November 1978 Alfa Records 12" LP; cassette LP: ALR-6012; cassette: ALC-1511
Europe 1979 A&M Records LP AMLH 68506, PSP 736
North America 30 May 1979 A&M Records, Horizon Records & Tapes 12" LP SP-736, AMLH 68506
Japan 25 July 1979 Alfa Records 12" LP; cassette (US version) LP: ALR-6020; cassette: ALC-1533

Read more about this topic:  Yellow Magic Orchestra (album)

Famous quotes containing the words release and/or history:

    The near touch of death may be a release into life; if only it will break the egoistic will, and release that other flow.
    —D.H. (David Herbert)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)