Film
The film version of Yanni Live at the Acropolis, released in 1994, was broadcast throughout the U.S. on public television and was one of the top fundraising subjects for PBS. It was seen in 65 countries by half a billion people, and has almost continuously remained on the charts since its release. It is also the second best-selling music video of all time, selling more than 7 million copies worldwide.
The video production received an Emmy nomination in 1994 for "Outstanding Individual Achievement in Lighting Direction (Electronic) for a Drama Series, Variety Series, Miniseries or a Special". This accomplishment was credited to Lee Rose (lighting director/designer), Richard Ocean (lighting director/designer), and David 'Gurn' Kaniski (lighting director/designer).
Katie Tamms of Allmovie writes, "Before a sold-out crowd on September 24, 1993, new age musical artist Yanni, accompanied by the Royal Philharmonic Orchestra, performed the first of three historic concerts at the Acropolis in Athens, Greece. Himself a native of Kalamata, Greece, Yanni had returned to perform in his homeland after more than 20 years in America. This video production, headed by award-winning director George Veras, includes a behind-the-scenes look at the creation of the live video, as well as backstage interviews with Yanni and some of his musical entourage."
Read more about this topic: Yanni Live At The Acropolis
Famous quotes containing the word film:
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)