Works
Wolfram is best known today for his Parzival, sometimes regarded as the greatest of all German epics from that time. Based on Chrétien de Troyes' Perceval, le Conte du Graal, it is the first extant work in German to have as its subject the Holy Grail. In the poem, Wolfram's narrator expresses disdain for Chrétien's (unfinished) version of the tale, and states that his source was a poet from Provence called Kyot. Some scholars believe Wolfram might have meant Guiot de Provins (though none of the latter's surviving works relate to the themes of Parzival), however others believe Kyot was simply a literary device invented by Wolfram to explain his deviations from Chrétien's version.
Wolfram is the author of two other narrative works: the unfinished Willehalm and the fragmentary Titurel. These were both composed after Parzival, and Titurel mentions the death of Hermann I, which dates it firmly after 1217. Wolfram's nine surviving songs, five of which are dawn-songs, are regarded as masterpieces of Minnesang.
Read more about this topic: Wolfram Von Eschenbach
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“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
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