Wolfram Von Eschenbach - Works

Works

Wolfram is best known today for his Parzival, sometimes regarded as the greatest of all German epics from that time. Based on Chrétien de Troyes' Perceval, le Conte du Graal, it is the first extant work in German to have as its subject the Holy Grail. In the poem, Wolfram's narrator expresses disdain for Chrétien's (unfinished) version of the tale, and states that his source was a poet from Provence called Kyot. Some scholars believe Wolfram might have meant Guiot de Provins (though none of the latter's surviving works relate to the themes of Parzival), however others believe Kyot was simply a literary device invented by Wolfram to explain his deviations from Chrétien's version.

Wolfram is the author of two other narrative works: the unfinished Willehalm and the fragmentary Titurel. These were both composed after Parzival, and Titurel mentions the death of Hermann I, which dates it firmly after 1217. Wolfram's nine surviving songs, five of which are dawn-songs, are regarded as masterpieces of Minnesang.

Read more about this topic:  Wolfram Von Eschenbach

Famous quotes containing the word works:

    There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.
    Ralph Waldo Emerson (1803–1882)

    Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.
    Samuel Johnson (1709–1784)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)