William McGonagall - Life and Poetry

Life and Poetry

Although born and dying in Greyfriars Parish, Edinburgh, he is almost solely linked to Dundee. He was born to Irish parents in Edinburgh.

McGonagall moved north and was apprenticed as a handloom weaver in Dundee, following in his father's footsteps. In 1846, he married Jean King; they had five sons and two daughters. Despite the industrial revolution slowly making weavers obsolete, McGonagall appeared to prosper, as there was still need for skilled workers to perform tasks of great complexity.

Before he showed an interest in poetry, he displayed a keenness for acting, though Mr Giles' Theatre, where he performed, only let him play the title role in Macbeth if he paid for the privilege. The theatre was filled with his friends and fellow workers, anxious to see what they expected to be an amusing disaster. The play should have ended with Macbeth's death, but McGonagall believed the actor playing Macduff was trying to upstage him, and refused to die.

By the 1870s, McGonagall and his family were struggling. Work as a weaver was more difficult to find and his oldest daughter shamed the family by giving birth to an illegitimate child. However, an event changed him. He would write:

The most startling incident in my life was the time I discovered myself to be a poet, which was in the year 1877.

McGonagall claimed he was inspired to become a poet when he "seemed to feel a strange kind of feeling stealing over, and remained so for about five minutes. A flame, as Lord Byron said, seemed to kindle up entire frame, along with a strong desire to write poetry." He wrote his first poem, "An Address to the Rev. George Gilfillan", displaying the hallmarks that would characterise his work. Gilfillan, himself an untrained and poorly-reviewed polemic Christian preacher who occasionally dabbled in poetry, commented admiringly "Shakespeare never wrote anything like this."

McGonagall realised if he were to succeed as a poet, he required a patron and wrote to Queen Victoria. He received a letter of rejection, written by a royal functionary, thanking him for his interest. McGonagall took this as praise for his work. During a trip to Dunfermline in 1879, he was mocked by the Chief Templar, who told him his poetry was very bad. McGonagall told the man that "it was so very bad that Her Majesty had thanked for what had condemned."

The letter gave McGonagall confidence in his "poetic abilities", and he felt his reputation could be enhanced further if he were to give a live performance before the queen. In July 1878, he walked from Dundee to Balmoral, a distance of about 60 miles (97 km) over mountainous terrain and through a violent thunderstorm, "wet to the skin", to perform for Queen Victoria. When he arrived, he announced himself as "The Queen's Poet". The guards informed him "You're not the Queen's poet! Tennyson is the Queen's poet!" (Alfred Lord Tennyson was the poet laureate). McGonagall presented the letter but was refused entry and had to return home. Undeterred, his poetry writing continued, and he reported events to the newspapers, earning some minor recognition.

Throughout his life McGonagall campaigned against excessive drinking, appearing in pubs and bars to give edifying poems and speeches. These were popular, the people of Dundee possibly recognising that McGonagall was "so giftedly bad he backed unwittingly into genius" He met with the ire of the publicans, on one occasion being pelted with peas for reciting a poem about the evils of "strong drink".

McGonagall constantly struggled with money and earned money by selling his poems in the streets, or reciting them in halls, theatres and public houses. When he was in periods of financial insecurity, his friends supported him with donations. In 1880, he sailed to London to seek his fortune, and in 1887 to New York. In both instances, he returned unsuccessful.

He found lucrative work performing his poetry at a local circus. He read his poems while the crowd was permitted to pelt him with eggs, flour, herrings, potatoes and stale bread. For this, he received fifteen shillings a night. McGonagall seemed happy with this arrangement, but the events became so raucous that the city magistrates were forced to put a ban on them. McGonagall was outraged and wrote a poem in response entitled Lines in Protest to the Dundee Magistrates:

Fellow citizens of Bonnie Dundee

Are ye aware how the magistrates have treated me?

Nay, do not stare or make a fuss

When I tell ye they have boycotted me from appearing in Royal Circus,

Which in my opinion is a great shame,

And a dishonour to the city's name(...)

Throughout his life McGonagall seemed oblivious to the general opinion of his poems, even when his audience were pelting him with eggs and vegetables. It is possible he was shrewder than he is given credit for, and played to his audience's perception of him, in effect making his recitals an early form of performance art.

In 1890, McGonagall was in dire straits financially. To help him, his friends funded the publication of a collection of his work, Poetic Gems. The proceeds provided McGonagall with enough money to live on for a time. By 1893, he was annoyed by his mistreatment in the streets and wrote an angry poem threatening to leave Dundee. One newspaper quipped that he'd probably stay for another year once he realised "that Dundee rhymes with 1893". Though trying his hand at writing prose and endorsements for local businesses for a short time, in 1894, he and his wife were forced to move to Perth.

Soon after, he received a letter purporting to be from representatives of King Thibaw Min of Burma. In it, he was informed that the King had knighted him as Sir Topaz, Knight of the White Elephant of Burmah. Despite the fact that this was a fairly transparent hoax, McGonagall would refer to himself as "Sir William Topaz McGonagall, Knight of the White Elephant, Burmah" in his advertising for the rest of his life.

In 1895, McGonagall and his wife moved to Edinburgh. Here, McGonagall met with some success, becoming a "cult figure" and was in great demand. It did not last long, and by 1900 he was once again destitute and now old and sickly. Though he was now too frail to walk the streets selling his poems, donations from friends, as ever, kept him afloat.

He died penniless in 1902 and was buried in an unmarked grave in Greyfriars Kirkyard in Edinburgh. A grave-slab installed to his memory in 1999 is inscribed:

William McGonagall
Poet and Tragedian
"I am your gracious Majesty
ever faithful to Thee,
William McGonagall, the Poor Poet,
That lives in Dundee."

Additionally, a plaque above 5 South College Street in Edinburgh shows an image of McGonagall, and bears the inscription:

William McGonagall
Poet and Tragedian
Died Here
29 September 1902

Read more about this topic:  William McGonagall

Famous quotes containing the words life and, life and/or poetry:

    But one sound always rose above the clamor of busy life and, no matter how much of a tintinnabulation, was never confused and, for a moment lifted everything into an ordered sphere: that of the bells.
    Johan Huizinga (1872–1945)

    Culture is the name for what people are interested in, their thoughts, their models, the books they read and the speeches they hear, their table-talk, gossip, controversies, historical sense and scientific training, the values they appreciate, the quality of life they admire. All communities have a culture. It is the climate of their civilization.
    Walter Lippmann (1889–1974)

    Poetry’s unnat’ral; no man ever talked poetry ‘cept a beadle on boxin’ day, or Warren’s blackin’ or Rowland’s oil, or some o’ them low fellows; never you let yourself down to talk poetry, my boy.”
    Charles Dickens (1812–1870)