Novels
- Heaps of Money (1877) aka From Poverty to Wealth
- Mademoiselle de Mersac (1880)
- Matrimony (1881)
- No New Thing (1883)
- Thirlby Hall (1883)
- Adrian Vidal (1885)
- A Bachelor's Blunder (1886)
- My Friend Jim (1886)
- Major and Minor (1887)
- Chris (1888)
- The Rogue (1888)
- Miss Shafto (1889)
- Mrs. Fenton (1889)
- The Baffled Conspirators (1890)
- Marcia (1890)
- Misadventure (1890)
- Miss Wentworth's Idea (1891)
- Mr. Chaine's Sons (1891) aka The Brothers Three
- His Grace (1892)
- The Countess Radna (1893)
- A Deplorable Affair (1893)
- Matthew Austin (1894)
- Saint Ann's (1894)
- A Victim of Good Luck (1894)
- Billy Bellew (1895)
- Clarissa Furiosa (1897)
- The Dancer in Yellow (1896)
- The Fight for the Crown (1898)
- Marietta's Marriage (1897)
- The Widower (1898)
- Giles Ingilby (1899)
- The Flower of the Flock (1900)
- The Embarrassing Orphan (1901) aka An Embarrassing Orphan
- His Own Father (1901) aka The Distresses of Daphne
- The Credit of the County (1902)
- Lord Leonard the Luckless (1903)
- Nature's Comedian (1904)
- Nigel's Vocation (1904)
- Barham of Beltana (1905) aka Payment in Full aka After Many Years
- Lone Marie (1905)
- Harry and Ursula (1907)
- The Square Peg (1907)
- Pauline (1908)
- The Perjurer (1909)
- Not Guilty (1910)
- Vittoria Victrix (1911)
- Paul's Paragon (1912)
- The Right Honourable Gentleman (1913)
- Barbara and Company (1914)
- Troubled Tranton (1915) aka An Evil Inheritance
- Proud Peter (1916)
- Brown Amber (1917)
- The Fond Fugitives (1917)
- The Narrow Strait (1918)
- The Obstinate Lady (1919)
- The Triumphs of Sara (1920)
- Tony the Exceptional (1921)
- Sabine and Sabina (1922)
- Next of Kin (1923)
- The Conscience of Gavin Blane (1924)
- Trevalion (1925)
- Adrienne of Auxelles (1926)
Read more about this topic: William Edward Norris
Famous quotes containing the word novels:
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)
“Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
—Annie Dillard (b. 1945)
“All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.”
—Christina Stead (19021983)