William Edward Norris - Novels

Novels

  • Heaps of Money (1877) aka From Poverty to Wealth
  • Mademoiselle de Mersac (1880)
  • Matrimony (1881)
  • No New Thing (1883)
  • Thirlby Hall (1883)
  • Adrian Vidal (1885)
  • A Bachelor's Blunder (1886)
  • My Friend Jim (1886)
  • Major and Minor (1887)
  • Chris (1888)
  • The Rogue (1888)
  • Miss Shafto (1889)
  • Mrs. Fenton (1889)
  • The Baffled Conspirators (1890)
  • Marcia (1890)
  • Misadventure (1890)
  • Miss Wentworth's Idea (1891)
  • Mr. Chaine's Sons (1891) aka The Brothers Three
  • His Grace (1892)
  • The Countess Radna (1893)
  • A Deplorable Affair (1893)
  • Matthew Austin (1894)
  • Saint Ann's (1894)
  • A Victim of Good Luck (1894)
  • Billy Bellew (1895)
  • Clarissa Furiosa (1897)
  • The Dancer in Yellow (1896)
  • The Fight for the Crown (1898)
  • Marietta's Marriage (1897)
  • The Widower (1898)
  • Giles Ingilby (1899)
  • The Flower of the Flock (1900)
  • The Embarrassing Orphan (1901) aka An Embarrassing Orphan
  • His Own Father (1901) aka The Distresses of Daphne
  • The Credit of the County (1902)
  • Lord Leonard the Luckless (1903)
  • Nature's Comedian (1904)
  • Nigel's Vocation (1904)
  • Barham of Beltana (1905) aka Payment in Full aka After Many Years
  • Lone Marie (1905)
  • Harry and Ursula (1907)
  • The Square Peg (1907)
  • Pauline (1908)
  • The Perjurer (1909)
  • Not Guilty (1910)
  • Vittoria Victrix (1911)
  • Paul's Paragon (1912)
  • The Right Honourable Gentleman (1913)
  • Barbara and Company (1914)
  • Troubled Tranton (1915) aka An Evil Inheritance
  • Proud Peter (1916)
  • Brown Amber (1917)
  • The Fond Fugitives (1917)
  • The Narrow Strait (1918)
  • The Obstinate Lady (1919)
  • The Triumphs of Sara (1920)
  • Tony the Exceptional (1921)
  • Sabine and Sabina (1922)
  • Next of Kin (1923)
  • The Conscience of Gavin Blane (1924)
  • Trevalion (1925)
  • Adrienne of Auxelles (1926)

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Famous quotes containing the word novels:

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

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    “Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.”
    —George Orwell (1903–1950)