Film
Bendix began his acting career at age 30, by way of the New Jersey Federal Theater Project, and made his film debut in 1942. He played in supporting roles in dozens of Hollywood films, usually as a warm-hearted Marine, gangster or detective. He started with appearances in film noir films including a performance in The Glass Key (1942), which also featured Brian Donlevy, Alan Ladd and Veronica Lake. He soon gained more attention after appearing in Alfred Hitchcock's Lifeboat (1944) as Gus, a wounded and dying American sailor.
Bendix's other well-known movie roles include his portrayal of baseball player Babe Ruth in The Babe Ruth Story (1948) and Sir Sagramore opposite Bing Crosby in A Connecticut Yankee in King Arthur's Court (1949), in which he took part in the trio, "Busy Doing Nothing". He also played Nick the bartender in the 1948 film version of William Saroyan's The Time of Your Life starring James Cagney. Bendix had appeared in the stage version, but in the role of Officer Krupp (a role played on film by Broderick Crawford). In 1946 he was cast in The Blue Dahlia, for the second time alongside Alan Ladd and Veronica Lake.
In 1949 Bendix starred in a film adaptation of his radio program The Life of Riley.
Read more about this topic: William Bendix
Famous quotes containing the word film:
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)