Don DeLillo (born November 20, 1936) is an American essayist, novelist, playwright, and short story writer. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, and global terrorism. He currently lives near New York City in the suburb of Bronxville. DeLillo has twice been a Pulitzer Prize for Fiction finalist for Mao II and Underworld (1992 and 1998, respectively), won the PEN/Faulkner Award for Mao II in 1992 (receiving a further PEN/Faulkner Award nomination for The Angel Esmeralda in 2012), and was granted the PEN/Saul Bellow Award for Achievement in American Fiction in 2010. DeLillo has described his fiction as being influenced by " the fact that we're living in dangerous times. If I could put it in a sentence, in fact, my work is about just that: living in dangerous times", and in a 2005 interview declared, "Writers must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments I think writers, by nature, must oppose things, oppose whatever power tries to impose on us."
Read more about Don DeLillo: Early Life and Influences, Plays, Themes and Criticism, References in Popular Culture, List of Works, Awards and Award Nominations, Further Reading
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“Men with secrets tend to be drawn to each other, not because they want to share what they know but because they need the company of the like-minded, the fellow afflicted.”
—Don Delillo (b. 1926)
“When you think of the huge uninterrupted success of a book like Don Quixote, you’re bound to realize that if humankind have not yet finished being revenged, by sheer laughter, for being let down in their greatest hope, it is because that hope was cherished so long and lay so deep!”
—Georges Bernanos (1888–1948)
“People stress the violence. That’s the smallest part of it. Football is brutal only from a distance. In the middle of it there’s a calm, a tranquility. The players accept pain. There’s a sense of order even at the end of a running play with bodies stewn everywhere. When the systems interlock, there’s a satisfaction to the game that can’t be duplicated. There’s a harmony.”
—Don Delillo (b. 1926)