Works
- Emendationum Aristotelearum specimen (1911)
- Studien zur Enstehungsgeschichte der Metaphysik des Aristoteles (1911)
- Nemesios von Emesa. Quellenforschung zum Neuplatonismus und seinen Anfaengen bei Poseidonios (1914)
- Gregorii Nysseni Opera, vol. I-X (since 1921, latest 2009)
- Aristoteles: Grundlegung einer Geschichte seiner Entwicklung (1923; English trans. by Richard Robinson (1902-1996), *Aristotle: Fundamentals of the History of His Development, 1934)
- Platons Stellung im Aufbau der griechischen Bildung (1928)
- Paideia; die Formung des griechischen Menschen, 3 vols. (German, 1933–1947; trans. by Gilbert Highet, *Paideia: The Ideals of Greek Culture, 1939–1944)
- Humanistische Reden und Vortraege (1937)
- Demosthenes (Sather lecture, 1934, 1938 trans. by Edward Schouten Robinson; German edition 1939)
- Humanism and Theology, 1943
- The Theology of the Early Greek Philosophers (Gifford lectures, 1936, trans.by Edward Schouten Robinson,1947; 1953 German edition)
- Two rediscovered works of ancient Christian literature: Gregory of Nyssa and Macarius,1954
- Aristotelis Metaphysica, 1957
- Scripta Minora, 2 vol., 1960
- Early Christianity and Greek Paideia (1961)
- Gregor von Nyssa's Lehre vom Heiligen Geist, 1966
Read more about this topic: Werner Jaeger
Famous quotes containing the word works:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when youre weary or a stool
To stumble over and vex you ... curse that stool!
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (18061861)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (16891761)
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (18751955)