Career
Murch started editing and mixing sound with Francis Ford Coppola's The Rain People (1969). Subsequently, he worked on George Lucas's THX 1138 and American Graffiti and Coppola's The Godfather before editing picture and mixing sound on Coppola's The Conversation, for which he received an Academy Award nomination in sound in 1974. Murch also mixed the sound for Coppola's The Godfather Part II which was released in 1974, the same year as The Conversation. He is most famous for his sound designing work on Apocalypse Now, for which he won his first Academy Award in 1979. (He was also significantly involved in the re-editing work that resulted in the extended Apocalypse Now Redux in 2001.) In 1985 he directed his one film, Return to Oz, which he co-wrote with Gill Dennis.
Unlike most film editors today, Murch works standing up, comparing the process of film editing to "conducting, brain surgery and short-order cooking", since all conductors, cooks and surgeons stand when they work. In contrast, when writing, he does so lying down. His reason for this is that where editing film is an editorial process, the creation process of writing is opposite that, and so he lies down rather than sit or stand up, to separate his editing mind from his creating mind.
Murch has written one book on film editing, In the Blink of an Eye (2001). He was also the subject of Michael Ondaatje's book The Conversations (2002), which consists of several conversations between Ondaatje and Murch; the book emerged from Murch's editing of The English Patient, which was based on Ondaatje's novel of the same name.
In 2007 the documentary Murch premiered at the San Francisco International Film Festival, which centered on Walter Murch and his thoughts on film making.
Read more about this topic: Walter Murch
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