Academy Award For Best Film Editing
The Academy Award for Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences. Nominations for this award are closely correlated with the Academy Award for Best Picture. Since 1981, every film selected as Best Picture has also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not generally eligible. The nominations for this Academy Award are determined by a ballot of the members of the Editing Branch of the Academy of Motion Picture Arts and Sciences; there were 233 members of the Editing Branch in 2008. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter.
Read more about Academy Award For Best Film Editing: History, Superlatives, Nominations and Awards
Famous quotes containing the words academy, award, film and/or editing:
“The academy is not paradise. But learning is a place where paradise can be created.”
—bell hooks (b. c. 1955)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The average Hollywood film star’s ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.”
—Katharine Hepburn (b. 1909)
“In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It’s the drowning out of false voices.”
—Don Delillo (b. 1926)