Visual Rhetoric and Composition
The field of composition studies has recently (re)turned its attention to visual rhetoric. In an increasingly visual society, proponents of visual rhetoric in composition classes suggest that an increased literacy requires skill not only with writing but also with visual communication. This skill relates to an understanding of the mediated nature of all communication, and to an awareness of the act of representation.
Read more about this topic: Visual Rhetoric
Famous quotes containing the words visual, rhetoric and/or composition:
“For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.”
—Gloria Steinem (b. 1934)
“The United Nations cannot do anything, and never could; it is not an animate entity or agent. It is a place, a stage, a forum and a shrine ... a place to which powerful people can repair when they are fearful about the course on which their own rhetoric seems to be propelling them.”
—Conor Cruise O’Brien (b. 1917)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)