Composition
"Vision of Love" is a love song, featuring pop and R&B influences. It incorporates heavy backup vocals during the song's bridge and features usage of Carey's whistle register and melisma. Author Chris Nickson described the song and its vocals:
" was the perfect introduction to her voice. With an ideal slow-dancing tempo, it still managed to swing, with Mariah's background vocals (herself multi-tracked) answering her lead. On the final chorus, her voice flew towards those trademark high notes before the instruments drop out, leaving Mariah to sing her way out to the tune's climax alone."
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Vision of Love" is set in common time and in the key of C major. Carey's vocal range spans from the low note of Eb3 to the high whistle note of C7. The song's lyrics and melody were written and composed by Carey, with Margulies, Miller, Klyce and Rip on the instrumentals. Lawrence and Walden produced the song, which heavily deviated from its original version on Carey's demo. Michael Slezak from Entertainment Weekly wrote regarding the song's instrumentation and vocals "From those opening sci-fi-esque synths to that signature dog-whistle high note, Mariah's very first single is inspired: Even folks who object to her trademark vocal excesses are hard-pressed to fault this rousing, gospel-tinged song about finding 'the one that I needed.'"
Read more about this topic: Vision Of Love
Famous quotes containing the word composition:
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
—Thomas Chatterton (1752–1770)