Metal Opera & Theatre
A Metal Opera is a mix between Rock opera, Broadway style and "Heavy metal adapted for theater's actors live performances".
According with German artists Walter Weyers and Martina Krawulsky, with the name "Klytaimnestra": "The House of Atreus" Metal Opera (musically available on the Virgin Steele's albums The House of Atreus Act I, The House of Atreus Act II) was performed on stage in Germany theaters by Landestheater Production.
The result, very different from a heavy metal concert, is a metal based dark Broadway style musical really powerful and energetic with actors only.
The premiere of "Klytaimnestra" in Memmingen, the 5th June 1999, has been the first ever regular musical theatre show based on heavy metal concepts.
After "Klytaimnestra" success, David DeFeis & Landestheater Production extracted a second Metal Opera musical, named "The Rebels", from the previous Marriage of Heaven and Hell trilogy ("The Marriage of Heaven and Hell Part I", "The Marriage of Heaven and Hell Part II", "Invictus").
In 2003, the same team released a third Metal Opera, named "Lilith", based on the material of album Visions of Eden. "Visons of Eden" was later on published in CD in 2006. In a different way to the previous two Operas, David DeFeis declared: "I don't think of it as a Metal Opera. What it really is, is the soundtrack for a major motion picture that has yet to be made! And by the hammer of Zeus, I will make this film one day. I call this work a Barbaric Romantic movie of the mind.".
Read more about this topic: Virgin Steele
Famous quotes containing the words metal, opera and/or theatre:
“There were metal detectors on the staff-room doors and Hernandez usually had a drawer full of push-daggers, nunchuks, stun-guns, knucks, boot-knives, and whatever else the detectors had picked up. Like Friday morning at a South Miami high school.”
—William Gibson (b. 1948)
“I have witnessed, and greatly enjoyed, the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“As in a theatre the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious,
Even so, or with much more contempt, men’s eyes
Did scowl on gentle Richard.”
—William Shakespeare (1564–1616)