Metal Opera & Theatre
A Metal Opera is a mix between Rock opera, Broadway style and "Heavy metal adapted for theater's actors live performances".
According with German artists Walter Weyers and Martina Krawulsky, with the name "Klytaimnestra": "The House of Atreus" Metal Opera (musically available on the Virgin Steele's albums The House of Atreus Act I, The House of Atreus Act II) was performed on stage in Germany theaters by Landestheater Production.
The result, very different from a heavy metal concert, is a metal based dark Broadway style musical really powerful and energetic with actors only.
The premiere of "Klytaimnestra" in Memmingen, the 5th June 1999, has been the first ever regular musical theatre show based on heavy metal concepts.
After "Klytaimnestra" success, David DeFeis & Landestheater Production extracted a second Metal Opera musical, named "The Rebels", from the previous Marriage of Heaven and Hell trilogy ("The Marriage of Heaven and Hell Part I", "The Marriage of Heaven and Hell Part II", "Invictus").
In 2003, the same team released a third Metal Opera, named "Lilith", based on the material of album Visions of Eden. "Visons of Eden" was later on published in CD in 2006. In a different way to the previous two Operas, David DeFeis declared: "I don't think of it as a Metal Opera. What it really is, is the soundtrack for a major motion picture that has yet to be made! And by the hammer of Zeus, I will make this film one day. I call this work a Barbaric Romantic movie of the mind.".
Read more about this topic: Virgin Steele
Famous quotes containing the words metal, opera and/or theatre:
“There is a lot of talk now about metal detectors and gun control. Both are good things. But they are no more a solution than forks and spoons are a solution to world hunger.”
—Anna Quindlen (b. 1953)
“A pretty air in an opera is prettier there than it could be anywhere else, I suppose, just as an honest man in politics shines more than he would elsewhere.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
—Enid Bagnold (1889–1981)