Style
One of the main characteristics of Gothic sculpture was elegance. However, other changes occurred to sculpture, such as less enjambment into the background architecture, the contrasting of light and dark, and the Praxitlian ‘S’ curve. Gothic style moved away from the Romanesque style by simplification. The greatest change though was in sculptures separation from the architectural. Instead of having figures be created against walls or columns, sculptures were carved away from their supports. Also apparent in the piece is the contrast of shadow and light, made evident by the deep recesses in the clothes fabric. The sculptor of Mary exaggerated the S-curve of her body, a signature element of Gothic style. However, the S-curve did not originate during the Gothic Period of Europe, but well before in Greece. In the 4th century BCE, Greek sculptors were enthralled by the body’s movements and muscles, and tried to capture complete naturalism through the S- curve. For Gothic sculptors, the desired effect was not of body movement, but of elegance and elongation. However, by the beginning of the fourteenth century, or the start of the Late Gothic style, sculptures began to lack in volume. This extension and lightness is evident in Mary’s body.
Read more about this topic: Virgin Of Paris
Famous quotes containing the word style:
“Always, however brutal an age may actually have been, its style transmits its music only.”
—André Malraux (1901–1976)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)