Production
On Vapor Trails there are no keyboards, no traditional guitar solos and few processed-guitar tones. Instead, Vapor Trails uses a more purified guitar tone, vocal, guitar and bass overdubs, and more personal lyrics.
Much of the recordings were from one-off jam sessions and many of the original takes from those sessions were used to construct the songs. Rush made extensive use of computers and music editing software to piece the jam session recordings into songs. Drummer Neil Peart remarked,
| “ | Eventually Geddy began to sift through the vast number of jams they had created, finding a verse here, a chorus there, and piecing them together. Often a pattern had only ever been played once in passing, but through the use of computer tools it could be repeated or reworked into a part. Since all the writing, arranging, and recording was done on computer, a lot of time was spent staring at monitors, but most of the time technology was our friend, and helped us to combine spontaneity and craftwork. Talk was the necessary interface, of course, and once Geddy and Alex had agreed on basic structures, Geddy would go through the lyrics to see what might suit the music and "sing well," then come to me to discuss any improvements, additions, or deletions I could make from my end. | ” |
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Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)