Criticism
The production of Vapor Trails has been criticized by critics and fans alike because of the album's "loud" sound quality. Albums such as this have been mastered so loud that additional digital distortion is generated during the production of the CD. The trend, known as the loudness war, has become very common on modern rock CDs.
As told by Rip Rowan on the ProRec website, the damaged production is the result of overly compressed (clipped) audio levels during mastering, though Rush has admitted that there was digital distortion during recording, which also contributed to the damage. Remastering the album would not correct the damage from digital distortion that was introduced during recording, but it could correct the other, more destructive damage that is the result of overly compressing the audio during mastering.
On Retrospective 3, Richard Chycki, who recently worked with the band on the R30 and both the Snakes & Arrows album and live sets, remixed "One Little Victory", and "Earthshine". In an interview with Modern Guitars, Lifeson remarked that since the remixes were so good, there has been talk of doing an entire remix of the album. He also stated:
It was a contest, and it was mastered too high, and it crackles, and it spits, and it just crushes everything. All the dynamics get lost, especially anything that had an acoustic guitar in it.
On February 4, 2011, the band's engineer announced that he would be remixing Vapor Trails in its entirety.. As of October 2012, these plans have been down-shifted
Read more about this topic: Vapor Trails
Famous quotes containing the word criticism:
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)