Traditional square dance is a generic American term for any style of American square dance other than modern Western. The term can mean (1) any of the American regional styles (broadly, Northeastern, Southeastern, and Western) that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style (other than modern Western) that has survived, or been revived, since around 1950.
Traditional square dance can be distinguished from modern Western square dance by the following characteristics:
- A limited number of basic movements, or “calls,” enabling the average dancer to join the group by assimilation rather than by taking a series of lessons.
- Dance figures (sequences of basic movements) that are called in a set order and repeated, rather than improvised by the caller. (In Southeastern style the caller chooses figures from a repertoire of a dozen or two and can call them in any order, but the order of movements within each figure does not change.)
- The use of live music as the norm.
In addition, because there is no governing body to set standards for traditional square dancing, each caller decides which basic movements and dance figures he or she will use. There are regional variations in how dancers execute the basic movements, usually having to do with hand or arm position. The same dance figure may have different names in different regions; the same name may refer to different dance figures, or even (in the case of "do-si-do") different basic movements. This lack of standardization does not present a problem to the dancers, because at least one of two conditions is always true: either the caller walks the dancers through the figures before calling them to music, or the event is attended almost entirely by local people familiar with that caller's repertoire.
Read more about Traditional Square Dance: Types of Traditional Square Dance, Regional Styles, Music, Organization and Social Customs
Famous quotes containing the words square dance, traditional, square and/or dance:
“The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)
“There is, I think, no point in the philosophy of progressive education which is sounder than its emphasis upon the importance of the participation of the learner in the formation of the purposes which direct his activities in the learning process, just as there is no defect in traditional education greater than its failure to secure the active cooperation of the pupil in construction of the purposes involved in his studying.”
—John Dewey (1859–1952)
“After the planet becomes theirs, many millions of years will have to pass before a beetle particularly loved by God, at the end of its calculations will find written on a sheet of paper in letters of fire that energy is equal to the mass multiplied by the square of the velocity of light. The new kings of the world will live tranquilly for a long time, confining themselves to devouring each other and being parasites among each other on a cottage industry scale.”
—Primo Levi (1919–1987)
“a dance sacred as the sap in
the trees,”
—Archie Randolph Ammons (b. 1926)