Continuing Use
After the success of the Original Dixieland Jass Band recordings, the tune gained national popularity. Dance band and march orchestrations were published for the benefit of bands that couldn't get the hang of the new "jazz" music.
Hundreds of recordings of the tune appeared in the late 1910s and through the 1920s. Among the more notable is the New Orleans Rhythm Kings version with a clarinet solo by Leon Roppolo.
The ubiquitous tune even echoed around the ruins of Chichen Itza in the 1920s, as archaeologist Sylvanus Morley played it over and over on his wind up phonograph.
With the coming of sound film, it often appeared on soundtracks of both live action movies and animated cartoons when something very energetic was wanted.
Read more about this topic: Tiger Rag
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