Novels
A series of novels based on The Bard's Tale were published by Baen Books during the 1990s. Although the books had little in common with the storyline of the games, their existence is a testament to how influential the Bard's Tale brand had become. They include:
- Castle of Deception, by Mercedes Lackey and Josepha Sherman (1992, ISBN 0-671-72125-9)
- Fortress of Frost and Fire, by Mercedes Lackey and Ru Emerson (1993, ISBN 0-671-72162-3)
- Prison of Souls, by Mercedes Lackey and Mark Shepherd (1994, ISBN 0-671-72193-3)
- The Chaos Gate, by Josepha Sherman (1994, ISBN 0-671-87597-3)
- Thunder of the Captains, by Holly Lisle and Aaron Allston (1996, ISBN 0-671-87731-3)
- Wrath of the Princes, by Holly Lisle and Aaron Allston (1997, ISBN 0-671-87771-2)
- Escape from Roksamur, by Mark Shepherd (1997, ISBN 0-671-87797-6)
- Curse of the Black Heron, by Holly Lisle (1998, ISBN 0-671-87868-9)
While they are listed here in the order they were published, some books in the series connect more than others, such as Castle of Deception and The Chaos Gate, Prison of Souls and Escape from Roksamur, and Thunder of the Captains and Wrath of the Princes.
Read more about this topic: The Bard's Tale (1985 video game)
Famous quotes containing the word novels:
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we dont knowNigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novelthe quality of philosophy.”
—Doris Lessing (b. 1919)
“But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.”
—Anthony Trollope (18151882)
“Fathers and Sons is not only the best of Turgenevs novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm histhat charactersabsence of introspection and at the same time would not be a journalists dummy of the socialistic type.”
—Vladimir Nabokov (18991977)