Structural Analysis - Strength of Materials Methods (classical Methods)

Strength of Materials Methods (classical Methods)

The simplest of the three methods here discussed, the mechanics of materials method is available for simple structural members subject to specific loadings such as axially loaded bars, prismatic beams in a state of pure bending, and circular shafts subject to torsion. The solutions can under certain conditions be superimposed using the superposition principle to analyze a member undergoing combined loading. Solutions for special cases exist for common structures such as thin-walled pressure vessels.

For the analysis of entire systems, this approach can be used in conjunction with statics, giving rise to the method of sections and method of joints for truss analysis, moment distribution method for small rigid frames, and portal frame and cantilever method for large rigid frames. Except for moment distribution, which came into use in the 1930s, these methods were developed in their current forms in the second half of the nineteenth century. They are still used for small structures and for preliminary design of large structures.

The solutions are based on linear isotropic infinitesimal elasticity and Euler–Bernoulli beam theory. In other words, they contain the assumptions (among others) that the materials in question are elastic, that stress is related linearly to strain, that the material (but not the structure) behaves identically regardless of direction of the applied load, that all deformations are small, and that beams are long relative to their depth. As with any simplifying assumption in engineering, the more the model strays from reality, the less useful (and more dangerous) the result.

Read more about this topic:  Structural Analysis

Famous quotes containing the words strength, materials and/or methods:

    Whoever aims publicly at great things and at length perceives secretly that he is too weak to achieve them, has usually also insufficient strength to renounce his aims publicly, and then inevitably becomes a hypocrite.
    Friedrich Nietzsche (1844–1900)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    In inner-party politics, these methods lead, as we shall yet see, to this: the party organization substitutes itself for the party, the central committee substitutes itself for the organization, and, finally, a “dictator” substitutes himself for the central committee.
    Leon Trotsky (1879–1940)