Film
In 1970 during the construction of the jetty, Robert Smithson wrote and directed a 32-minute color film, "Spiral Jetty". The film was shot by Smithson and his wife Nancy Holt, and funded by Virgina Dawn and Douglas Christmas.
The film documented the construction process and also formed an ancillary artwork. Smithson combines his interest in geology, paleontology, astronomy, mythology and cinema, stating that he had an interest in documenting "the earth's history". In conjunction with filmed sequences of the jetty, Smithson incorporates footage of dinosaurs in a natural history museum and the ripped pages from a history text. During this scene, Smithson refers to the institutions of history: "the earth's history seems at times like a story recorded in a book, each page of which is torn into small pieces. Many of the pages and some of the pieces of each page are missing". Smithson's narrative supports an alternative view of historical discourse and the art object's placement or production outside of the museum institution. His writings also indicate that the helicopter film sequences over the jetty were a method of "recapitulating the scale of the jetty". By visually disorienting the viewer, Smithson is able to negate a time and place for the materiality of the artwork or create what he calls a "cosmic rupture". Through this state, the viewer is meant to be unable to categorize or classify the site, and will be left in a state free from the dialect of history.
Read more about this topic: Spiral Jetty
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