Culture
The South Bank is a significant arts and entertainment district. The Southbank Centre comprises the Royal Festival Hall, the Queen Elizabeth Hall and The Hayward. The Royal National Theatre and BFI Southbank are located adjacent to the east, but are not part of the centre. County Hall is no longer used as the seat of London government and has been converted to house the Sea Life London Aquarium, the London Marriott Hotel County Hall, the London Film Museum, and is the location of the London Eye. The OXO Tower Wharf is located towards the eastern end of South Bank, and houses gallery@oxo, shops and boutiques, and the OXO Tower Restaurant run by Harvey Nichols.
Cultural organisations situated near to the South Bank include The Old Vic Theatre which has been under the artistic direction of Kevin Spacey since 2003, the Old Vic Tunnels which operates under the artistic direction of Hamish Jenkinson, and the Young Vic which specialises in giving opportunities to young actors and directors. IWM London (Imperial War Museum) is also near the South Bank, hosting exhibitions from the first world war to the present day. The Florence Nightingale Museum is situated close by, next to Guy's and St Thomas' Hospital. Coin Street Community Centre host exhibitions throughout the year.
Part of the South Bank Centre known as the under-croft, has been used by the skateboarding community since the early seventies. Originally an architectural dead-spot, it has become a home of British skateboarding. The size of the under-croft has been reduced in recent years and was supposed to be returned to original size. This now seems unlikely and the future of the whole space is completely unsure at present. Part of the South Bank Centre has been turned into shops looking out over the river.
The South Bank is a central location in the 1952 comedy film The Happy Family which is set around the Festival of Britain.
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Famous quotes containing the word culture:
“As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.”
—Margaret Mead (1901–1978)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)