History
The Shepherd's Bush Empire was built in 1903 for impresario Oswald Stoll, designed by theatre architect Frank Matcham. Ashly's Circus performed at Shepherd's Bush empire theatre and presented to George Strong a trophy for riding The Bucking Mule "Sloper' on 8 September 1905. The first performers at the new theatre were The Fred Karno Troupe incl. Charlie Chaplin (1906). The Empire staged music-hall entertainments, such as variety performances and revues, until the early 1950s, by which time the popularity of these forms of entertainment was declining.
During WW2 the Shepherd's Bush Empire narrowly escaped being hit by a flying bomb, which in 1944 hit the neighbouring Shepherd’s Bush Pavilion, destroying the original interior. The Pavilion did not re-open until 1955.
In 1953, the Empire was sold to the BBC, which put it to use as a television studio–theatre, renaming it the BBC Television Theatre. Among the programmes produced there were Crackerjack, Hancock's Half Hour, The Old Grey Whistle Test, That's Life!, The Generation Game, The Basil Brush Show, Juke Box Jury, This is Your Life, Jim'll Fix It, almost all the BBC's light entertainment music shows, such as those starring Cliff Richard, Lulu, Cilla Black, Spike Milligan, Dusty Springfield, Shirley Bassey, Vera Lynn, Harry Secombe, Petula Clark, as well as the UK's Eurovision Song Contest preliminary heat, A Song For Europe. In 1985, the theatre was turned over for exclusive use by Wogan, which was broadcast 3 nights a week from the theatre.
The BBC vacated the building in 1991. It was taken over again, this time in 1993 by the entrepreneur Andrew Mahler, who invested over £1m in the building in improvements and refurbishments. In 1994 the building re-opened and again became the Shepherd's Bush Empire. Since then, it has become best known as a music venue.
Read more about this topic: Shepherds Bush Empire
Famous quotes containing the word history:
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)
“Every member of the family of the future will be a producer of some kind and in some degree. The only one who will have the right of exemption will be the mother ...”
—Ruth C. D. Havens, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by handa center of gravity.”
—Adrienne Rich (b. 1929)