Works
- A Woman's Place (1952
- The Power of Women & the Subversion of the Community (with Mariarosa Dalla Costa; Bristol: Falling Wall Press, 1972)
- Women, the Unions and Work, or What Is Not To Be Done (1972)
- Sex, Race & Class (1974)
- The Rapist Who Pays the Rent (co-author, 1982)
- Marx and Feminism (1983)
- Hookers in the House of the Lord (1983)
- The Ladies and the Mammies: Jane Austen and Jean Rhys (1983)
- Strangers & Sisters: Women, Race and Immigration (ed. & introduction, 1985)
- The Global Kitchen: The Case for Counting Unwaged Work (1985, 1995)
- The Milk of Human Kindness: Defending Breastfeeding from the Global Market and the AIDS Industry (co-author, 2003)
- Introduction to Creating a Caring Economy: Nora Castañeda & the Women's Development Bank of Venezuela (published in 2006)
- Introduction to The Arusha Declaration, Rediscovering Nyerere's Tanzania (2007)
- Editor of Jailhouse Lawyers: Prisoners Defending Prisoners Vs the USA by Mumia Abu-Jamal (UK edition Crossroads Books, 2011)
- Sex, Race and Class--the Perspective of Winning: A Selection of Writings 1952–2011 (PM Press, 2012)
Read more about this topic: Selma James
Famous quotes containing the word works:
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (18171862)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (18561950)