Sarie Marais - Sarie Marais (1931): The First South African Film With Sound

Sarie Marais (1931): The First South African Film With Sound

Sarie Marais was also the title of the first South African talking picture, directed by Joseph Albrecht and made in 1931. Filmed in Johannesburg, Sarie Marais manages to pack a lot into its 10-minute running time. Set in a British POW camp, the film concentrates on a group of Boer prisoners as they pass the time under the watchful eye of their British captors. One of the internees, played by Billy Mathews, lifts his voice in song with the popular Afrikaans patriotic tune "My Sarie Marais". His enthusiasm catches on with the other prisoners, giving them hope for the future .

Afrikaner nationalism was emerging as a force in these years, and Sarie Marais portrayed the British cultural and economic imperialism negatively (the desire to spread the English language, culture and influence even where it was unwelcome).

Shortly after this film's release, a group of Afrikaner nationalists established a film production organisation called the Reddingsdaad-Bond-Amateur-Rolprent Organisasie (Rescue Action League Amateur Film Organisation), which rallied against British and American films pervading the country.

Francis Coley directed a remake of this film, again titled Sarie Marais in 1949.

Read more about this topic:  Sarie Marais

Famous quotes containing the words south, african, film and/or sound:

    The South is very beautiful but its beauty makes one sad because the lives that people live here, and have lived here, are so ugly.
    James Baldwin (1924–1987)

    I’ve never been afraid to step out and to reach out and to move out in order to make things happen.
    Victoria Gray, African American civil rights activist. As quoted in This Little Light of Mine, ch. 3, by Hay Mills (1993)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    There is a silence where hath been no sound,
    There is a silence where no sound may be,
    In the cold grave—under the deep, deep sea,
    Or in wide desert where no life is found,
    Thomas Hood (1799–1845)