Royal Birmingham Society of Artists - History

History

The RBSA was established as the Birmingham Society of Artists in 1821, though it can trace its origins back further to the life drawing academy opened by Samuel Lines, Vincent Barber and Charles Barber in Peck Lane (now the site of New Street Station) in 1809. A gallery and set of offices for the Birmingham Society of Arts was built behind a fine neo-classical portico in New Street by architect Thomas Rickman in 1829. In 1868 the RBSA received its royal charter and adopted its current name.

The RBSA was to become a highly influential body in the later Victorian period, particularly within the Pre-Raphaelite and Arts and Crafts movements. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais and Lord Leighton.

One of principal aims of the Society from its foundation had been to continue the educational activities pioneered by Lines. Initially this work was carried out by the society itself, but in 1843 the Birmingham School of Art was founded as a separate institution, falling under municipal control from 1877.

Increasing financial pressure in the early years of the 20th century led to the society's landmark New Street building being demolished and rebuilt as part of a commercial redevelopment, and in 2000 the society left the site completely, relocating to a converted warehouse near St Paul's Square in the Jewellery Quarter (grid reference SP063874). This is now known as the RBSA Gallery, and was opened by Charles, Prince of Wales, on 12 April 2000.

The two bronze plaques on its exterior, made in 1919, are the earliest known Birmingham works of William Bloye, later the society's president and Professor of Sculpture.

Read more about this topic:  Royal Birmingham Society Of Artists

Famous quotes containing the word history:

    ... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
    Adrienne Rich (b. 1929)

    There is no history of how bad became better.
    Henry David Thoreau (1817–1862)

    ... all big changes in human history have been arrived at slowly and through many compromises.
    Eleanor Roosevelt (1884–1962)