History
In 1972, Justin Kerr worked with author & anthropologist Michael D. Coe to produce a book on ceramic vessels of the pre-Columbian Maya civilization. For this book Kerr had to photograph the ceramics section by section, and then have an artist combine the pictures into one. Since this was slow and did not accurately reproduce the images on the pottery, Kerr set out to find a technique that would make a single, fluid picture. However, at this time no cameras existed that were capable of making peripheral photographs. Therefore, from 1972–1978, Kerr created a new camera and essentially reinvented the art of rollout photography.
The technique had existed for years, so by using the methods listed above Justin Kerr succeeded in making a camera that captured the first Maya pottery vessel using rollout photography. The rollout technique was perfected through the use of a record turntable, clamps, and various pieces of wood and belts. The end result was a clear and accurate reproduction of a tin can. From there Kerr moved on to Maya vessels. Each vase takes about two minutes to photograph, and is done all in one session. Kerr spends on average 6 hours a day in his studio working on Maya rollouts. Subsequently, Kerr began archiving every container he photographed. To date more than 1400 rollouts have been created. His first successful print was of an Olmec bowl, lent to him from Princeton University.
Read more about this topic: Rollout Photography
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“There is no history of how bad became better.”
—Henry David Thoreau (1817–1862)
“There is one great fact, characteristic of this our nineteenth century, a fact which no party dares deny. On the one hand, there have started into life industrial and scientific forces which no epoch of former human history had ever suspected. On the other hand, there exist symptoms of decay, far surpassing the horrors recorded of the latter times of the Roman empire. In our days everything seems pregnant with its contrary.”
—Karl Marx (1818–1883)