Rock Around The Clock - False Starts

False Starts

There are sources that indicate that "Rock Around the Clock" was written in 1953, but documents uncovered by historian Jim Dawson indicate it was in fact written in late 1952. The original arrangement of the song bore little resemblance to the version recorded by Haley, and was in fact closer to a popular instrumental of the day called "The Syncopated Clock" (written by Leroy Anderson).

The song was credited to Myers (as "Jimmy DeKnight") and Max C. Freedman, although its exact authorship is disputed, with many feeling that Freedman wrote the song on his own. There were several earlier songs of the title "Rock Around the Clock" (by Hal Singer and Wally Mercer), but they are unrelated to the Freedman/Myers song. In addition, it is sometimes erroneously stated that "Rock Around the Clock" is copied from a late-1940s Big Joe Turner recording, "Around the Clock Blues". Aside from title similarity, however, the two songs bear little resemblance. There are many blues songs with the theme of partying or making love "round the clock", with various actions specified at various hours.

However, the verse melody of "Rock Around the Clock" does bear a very close similarity to that of Hank Williams' first hit, "Move It On Over", from 1947. Williams' song was very similar to Charley Patton's "Going to Move to Alabama", recorded in 1929 – which itself was at least partly derived from Jim Jackson's "Kansas City Blues" from 1927. The song also uses phrases from Count Basie's "Red Wagon", first recorded in 1939.

According to the Haley biographies Bill Haley by John Swenson and Rock Around the Clock by Dawson, the song was offered to Haley in the wake of his first national success "Crazy Man, Crazy" in 1953, after being copyrighted with the U.S. Library of Congress on March 31. Haley and his Comets began performing the song on stage (Comets bass player Marshall Lytle and drummer Dick Richards say the first performances were in Wildwood, New Jersey at Phil and Eddie's Surf Club), but Dave Miller, his producer, refused to allow Haley to record it for his Essex Records label (Swenson suggests a feud existed between Myers and Miller).

Haley himself claimed to have taken the sheet music into the recording studio at least twice, with Miller ripping up the music each time. Nonetheless, rumors of a 1953 demo recording by Haley persist to this day, although surviving members of the Comets deny this, as did Haley himself (quoted in the Swenson biography) ; a late-1960s bootleg single of the Decca Records version of "Rock Around the Clock", with "Crazy Man, Crazy" on the B-side and carrying the Essex label, occasionally turns up for sale with the claim that it is the demo version.

Myers next offered the song to Sonny Dae & His Knights, a novelty all-white musical group led by Italian-American Paschal Vennitti. The group's subsequent recording, on the Arcade Records label (owned by Haley's manager, Jack Howard), was a regional success, although it sounded very different from what Haley would later record.