"Rock Around the Clock" is a 12-bar-blues-based song written by Max C. Freedman and James E. Myers (the latter under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley and His Comets in 1954. It was a number one single on both the US and UK charts and also re-entered the UK Singles Chart in the 1960s and 1970s.
It was not the first rock and roll record, nor was it the first successful record of the genre (Bill Haley had American chart success with "Crazy Man, Crazy" in 1953, and in 1954, "Shake, Rattle and Roll" reached No. 1 on the Billboard R&B chart). Haley's recording nevertheless became an anthem for rebellious Fifties youth and is widely considered to be the song that, more than any other, brought rock and roll into mainstream culture around the world. The song is ranked No. 158 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
Although first recorded by Italian-American band Sonny Dae and His Knights on March 20, 1954, the more famous version by Bill Haley & His Comets is not, strictly speaking, a cover version. Myers claimed the song had been written specifically for Haley but, for various reasons, Haley was unable to record it himself until April 12, 1954.
The original full title of the song was "We're Gonna Rock Around the Clock Tonight!". This was later shortened to "(We're Gonna) Rock Around the Clock", though this form is generally only used on releases of the 1954 Bill Haley Decca Records recording; most other recordings of this song by Haley and others (including Sonny Dae) shorten this title further to "Rock Around the Clock".
Read more about Rock Around The Clock: False Starts, Decca Recording Session, Slow Road To Classic Hit Status, Length Variation, Tributes, Albums
Famous quotes containing the words rock and/or clock:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
““Pop” Wyman ruled here with a firm but gentle hand; no drunken man was ever served at the bar; no married man was allowed to play at the tables; across the face of the large clock was written “Please Don’t Swear,” and over the orchestra appeared the gentle admonition, “Don’t Shoot the Pianist—He’s Doing His Damndest.””
—Administration in the State of Colo, U.S. public relief program. Colorado: A Guide to the Highest State (The WPA Guide to Colorado)