Robert Sheckley - Works

Works

Sheckley was a prolific and versatile writer. His works include not only original short stories and novels, but also TV series episodes (Captain Video and His Video Rangers), novelizations of works by others (Babylon 5: A Call to Arms, after the film), stories in shared universes such as Heroes in Hell, and collaborations with other writers. He was best known for his several hundreds of short stories, which he published in book form as well as individually. Typical Sheckley stories include "Bad Medicine" (in which a man is mistakenly treated by a psychotherapy machine intended for Martians), "Protection" (whose protagonist is warned of deadly danger unless he avoids the common activity of "lesnerizing", a word whose meaning is not explained), and "The Accountant" (in which a family of wizards learns that their son has been taken from them by a more sinister trade—accountancy). In many stories Sheckley speculates about alternative (and usually sinister) social orders, of which a good example is the story "A Ticket to Tranai" (that tells of a sort of Utopia designed for human nature as it actually is, which turns out to have terrible drawbacks).

One of the most famous of Sheckley's stories was the AAA Ace Series involving a series of stories involving two partners in the far future encountering various unusual problems.

In the 1990s Sheckley wrote a series of three mystery novels featuring detective Hob Draconian, as well as novels set in the worlds of Star Trek: Deep Space Nine and Alien. Before his death Sheckley had been commissioned to write an original novel based upon the TV series The Prisoner for Powys Media, but died before completing the manuscript.

His novel Dimension of Miracles is often cited as an influence on Douglas Adams's The Hitchhiker's Guide to the Galaxy, although in an interview for Neil Gaiman's book Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion, Adams said he had not read it until after writing the Guide.

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    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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