Reality television is a television programming that presents purportedly unscripted melodramatic or "humorous" situations, documents actual events, and usually features ordinary people instead of professional actors, sometimes in a contest or other situation where a prize is awarded. Reality television began in 1948 with Alan Funt's TV series Candid Camera. The genre exploded as a phenomenon around 1999–2000 with the success of such television series as Big Brother and Survivor. Programs in the reality television genre are commonly called reality shows and often are produced in a television series. Documentaries, television news and sports television are usually not classified as reality shows. Reality television offers viewers a glimpse into the lives of people that might otherwise not be seen. It can also be seen as a platform for the subjects of the programs, to clear up misconceptions, and show their story or struggle.
The genre covers a wide range of television programming formats, from game show or quiz shows which resemble the frantic, Japanese variety shows produced in Japan in the 1980s and 1990s (such as Gaki no tsukai), to surveillance- or voyeurism-focused productions such as Big Brother. Reality television frequently portrays a modified and highly influenced form of day-to-day life, at times utilizing sensationalism to attract audience viewers and increase advertising revenue. Participants are often placed in exotic locations or abnormal situations, and are often persuaded to act in specific scripted ways by off-screen "story editors" or "segment television producers", with the portrayal of events and speech manipulated and contrived to create an illusion of reality through direction and post-production editing techniques.
Read more about Reality Television: Similar Works in Popular Culture, Other Influences On Popular Culture
Famous quotes containing the words reality and/or television:
“Reality is not protected or defended by laws, proclamations, ukases, cannons and armadas. Reality is that which is sprouting all the time out of death and disintegration.”
—Henry Miller (1891–1980)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)