Trilogy: Atalanta, Perfect Lives, and Now Eleanor's Idea
The operas of Perfect Lives, Atalanta, and Now Eleanor's Idea comprise a trilogy that maintains a pulse of 72 beats per minute throughout (except for the opera Foreign Experiences within the Now Eleanor's Idea tetralogy, which is set to a quarter note=90). The third episode of Perfect Lives ("The Bank") contains the focal event of this trilogy. The event itself is hard to describe; after a variety of strange events transpire at the bank, i.e. a fight between dogs that speak Spanish and a bucket of water strategically thrown on the bank manager, it is realized that the bank "has no money in the bank," a consequence of the art/crime action taken by the elopers Gwyn and Ed. In describing these curious events, Ashley introduces all of the bank tellers ("Introducing Susie. Susie works at the bank. That's her job. Mostly she helps people count their money. She likes it."), who each have visions, each representing one of the trilogy's operas.
Kate sees the security camera footage from the bank, which contains elements of Episodes 2 through 4 of Perfect Lives. She is, in effect, watching herself. Linda, Susie, and Jennifer see visions of the three suitors of Atalanta, Willard Reynolds, Bud Powell, and Max Ernst, who have accidentally appeared in a spaceship at the moment of the bank incident. Eleanor's vision is conceptually of the four operas that bear her name, although Linda's vision introduces its four characters (Linda, Eleanor, Don, and Junior Jr.) as a foursome. The first section of the opera "Now Eleanor's Idea", entitled Improvement, features a retelling of these events.
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Famous quotes containing the words perfect and/or idea:
“The most perfect caricature is that which, on a small surface, with the simplest means, most accurately exaggerates, to the highest point, the peculiarities of a human being, at his most characteristic moment in the most beautiful manner.”
—Max Beerbohm (1872–1956)
“The idea was to prove at every foot of the way up that you were one of the elected and anointed ones who had the right stuff and could move higher and higher and even—ultimately, God willing, one day—that you might be able to join that special few at the very top, that elite who had the capacity to bring tears to men’s eyes, the very Brotherhood of the Right Stuff itself.”
—Tom Wolfe (b. 1931)