Rise and Fall of The City of Mahagonny - Composition History

Composition History

The libretto was mainly written in early 1927 and the music was finished in the spring of 1929, although both text and music were partly revised by the authors later. An early by-product, however, was the Mahagonny-Songspiel, sometimes known as Das kleine Mahagonny, a concert work for voices and small orchestra commissioned by the Deutsche Kammermusik Festival in Baden-Baden and premiered there on 18 July 1927. The ten numbers, which include the "Alabama Song" and "Benares Song", were duly incorporated into the full opera. The opera had its premiere in Leipzig in March 1930 and played in Berlin in December of the following year. The opera was banned by the Nazis in 1933 and did not have a significant production until the 1960s.

Weill's score uses a number of styles, including rag-time, jazz and formal counterpoint, notably in the "Alabama Song" (covered by multiple artists, notably Ute Lemper, The Doors and David Bowie). The lyrics for the "Alabama Song" and another song, the "Benares Song" are in English (albeit specifically idiosyncratic English) and are performed in that language even when the opera is performed in its original (German) language.

Read more about this topic:  Rise And Fall Of The City Of Mahagonny

Famous quotes containing the words composition and/or history:

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)

    It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.
    Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)