Early Writing Career
Collaborating with Rowan Atkinson in the Oxford Revue, he appeared alongside Atkinson at his breakthrough Edinburgh Fringe show. As a result of this, Curtis was commissioned to co-write the BBC Radio 3 series The Atkinson People with Atkinson in 1978, which was transmitted in 1979.
He then began to write comedy for film and TV. He was a regular writer on the TV series Not the Nine O'Clock News, where he wrote many of the show's songs with Howard Goodall and many sketches, often with Rowan Atkinson. Curtis was the co-writer with Philip Pope of the Hee Bee Gee Bees' single "Meaningless Songs (In Very High Voices)" released in 1980 to parody the style of a series of Bee Gees' disco hits.
First with Atkinson, and later with Ben Elton, Curtis then wrote the Blackadder series from 1983 to 1989, each season focusing upon a different era in British history. Atkinson played the lead throughout, but Curtis remains the only person to have been a writer for every episode of Blackadder. The pair continued their collaboration with the comedy series Mr. Bean. which ran from 1990–1995.
Curtis had by then already begun writing feature films. His first was The Tall Guy in 1989. The romantic comedy starred Jeff Goldblum, Emma Thompson and Rowan Atkinson and was produced by Working Title films. The TV movie Bernard and the Genie followed in 1991.
In 1994, Curtis created and co-wrote The Vicar of Dibley for comedian Dawn French, which was a great success. In an online poll conducted in 2004 Britain's Best Sitcom, The Vicar of Dibley was voted the third best sitcom in British history and Blackadder the second, making Curtis the only screenwriter to have created two shows within the poll's top ten programmes.
Read more about this topic: Richard Curtis
Famous quotes containing the words early, writing and/or career:
“We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the child’s life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.”
—Selma H. Fraiberg (20th century)
“The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.”
—James Fenton (b. 1949)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)