Hugh Grant

Hugh Grant

Hugh John Mungo Grant (born 9 September 1960) is an English actor and film producer. He has received a Golden Globe Award, a BAFTA, and an Honorary César. His films have earned more than $2.4 billion from 25 theatrical releases worldwide. Grant achieved international stardom after appearing in Richard Curtis's sleeper hit Four Weddings and a Funeral (1994). He used this breakthrough role as a frequent cinematic persona during the 1990s, delivering comic performances in mainstream films like Mickey Blue Eyes (1999) and Notting Hill (1999). By the turn of the 21st century, he had established himself as a leading man skilled with a satirical comic talent. Since the 2000s, Grant has expanded his oeuvre with critically acclaimed turns as a cad in Bridget Jones's Diary (2001), About A Boy (2002), Love Actually (2003), and American Dreamz (2006). He later played against type with multiple cameo roles in the epic drama film Cloud Atlas (2012).

Within the film industry, Grant is cited as an anti-film star who approaches his roles like a character actor, and attempts to make his acting appear spontaneous. Hallmarks of his comic skills include a nonchalant touch of irony/sarcasm and studied physical mannerisms as well as his precisely-timed dialogue delivery and facial expressions. The entertainment media's coverage of Grant's life off the big screen has often overshadowed his work as a thespian. He has been vocal about his disrespect for the profession of acting, and in his disdain towards the culture of celebrity and hostility towards the media. In a career spanning 30 years, Grant has repeatedly claimed that acting is not a true calling but just a job he fell into.

Read more about Hugh Grant:  Early Life and Ancestry, Career, Work Ethic, In The Media, Personal Life, Charity Work

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    Thou shalt not kill; but need’st not strive
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    Advantage rarely comes of it:
    —Arthur Hugh Clough (1819–1861)

    I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.
    Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)