Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 69.99% (38 reviews) |
| Metacritic | 71% |
| Review scores | |
| Publication | Score |
| 1UP.com | C+ |
| Allgame | |
| Eurogamer | 5/10 |
| GamePro | |
| Game Revolution | B- |
| GameSpot | 7.2/10 |
| GameSpy | |
| GamesRadar | 9 |
| GameZone | 8.3 |
Outbreak' received a C+ from 1UP in their review. The staff referred to it as "another typical entry in the RE canon", and as a "competent game" with "controls are actually functional and somewhat intuitive". However, they had a number of problems with the game, notably Capcom's choice to not install voice chat in favour of the ad-lib system. They found the game's five scenarios to be short, and AI partners to be "chock-full of repetitive and annoying sound bytes".
Eurogamer was disappointed with Capcom's failure to establish online support to the European market at a time when the PlayStation 2's online community was threatened with the expected rise in the Xbox's popularity with the upcoming release of Halo 2, continuing that an Outbreak was "designed from the ground up to be a co-operative multiplayer game for four players" and questioning if a networkless game would interest players. Another problem was with the real-time START menu, which meant that file-reading and item-trading would make the player vulnerable to a random zombie attack, making the game " light in the story department" as a consequence of not becoming immersed in the environment. Long load times for the PAL version was also noted in the review.
The game received average reviews and sold about 1.45 million copies.
Ratings
- ACB: MA15+
- CERO: 15+
- ESRB: M
- PEGI: 16+
Read more about this topic: Resident Evil Outbreak
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)