Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
““Tall tales” were told of the sociability of the Texans, one even going so far as to picture a member of the Austin colony forcing a stranger at the point of a gun to visit him.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Fashion required the suppression of all naturalness—’to walk upright, with unbending joints; to shake hands after the pump- handle formula; to look inexpressibly indifferent towards everybody and everything; and speak only in a mincing voice was to be a decorous member of society.’”
—For the State of Rhode Island, U.S. public relief program (1935-1943)
“Nowadays, if New York has a heart, it might be the Garden. Almost everyone goes there, for one purpose or another. There are dog shows, and Sonja Henie and mass meetings.”
—In New York City, U.S. public relief program (1935-1943)