Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“The beginner’s well-known propensity for obtruding upon his own privacy, by introducing himself, or a vicar, into his first novel, owes less to the attraction of a ready theme than to the relief of getting rid of oneself, before going on to better things.”
—Vladimir Nabokov (1899–1977)
“The self-consciousness of Pine Ridge manifests itself at the village’s edge in such signs as “Drive Keerful,” “Don’t Hit Our Young ‘uns,” and “You-all Hurry Back”Mlocutions which nearly all Arkansas hill people use daily but would never dream of putting in print.”
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“This is God’s country—Why set it on fire and make it look like hell?”
—For the State of Maine, U.S. public relief program (1935-1943)