Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“One story recounts that a Tennessean, after a single day in the then almost impenetrable tangle of cypress, briars, and canebreaks, pestered by myriads of mosquitoes, and bogged in the heavy gumbo mud, declared: “Arkansas is not part of the world for which Jesus Christ died—I want none of it.””
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“Passengers in 1937 totaled 270,000; so many of these were celebrities that two Newark newspapers ran special airport columns.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“If it is a relief to take your clothes off at night, be sure that something is wrong. Clothes should not be a burden. They should be a comfort and a protection.”
—Ellen Henrietta Swallow Richards (1842–1911)