Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“It is said that he once had a sore toe that so annoyed him that he went to the woodpile and chopped it off with an axe, quoting the Scripture, ‘If thy foot offend thee, cut it off.’”
—For the State of Rhode Island, U.S. public relief program (1935-1943)
“Although then a printer by trade, he listed himself in this early directory as an antiquarian. When he was asked the reason for this he replied that he always thought every town should have at least one antiquarian, and since none appeared for the post, he volunteered.”
—For the State of Iowa, U.S. public relief program (1935-1943)
“Cows wandered through the streets.... Vegetables grew chiefly in cans, and stream-beds and cañons glittered with these omnipresent signs of civilization.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)