Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“Desert rains are usually so definitely demarked that the story of the man who washed his hands in the edge of an Arizona thunder shower without wetting his cuffs seems almost credible.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)
““Tall tales” were told of the sociability of the Texans, one even going so far as to picture a member of the Austin colony forcing a stranger at the point of a gun to visit him.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Costs less to keep than a horse. Doesn’t get sick. Doesn’t eat when it doesn’t work.”
—State of Indiana, U.S. public relief program (1935-1943)