Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“This man is quickened so with grief.
He wanders god-like or like thief
Inside and out, below, above,
Without relief seeking lost love.”
—Robert Graves (1895–1985)
“Well, what the hell has he ever done for Colorado! Take it down and put my picture up there!”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“The self-consciousness of Pine Ridge manifests itself at the village’s edge in such signs as “Drive Keerful,” “Don’t Hit Our Young ‘uns,” and “You-all Hurry Back”Mlocutions which nearly all Arkansas hill people use daily but would never dream of putting in print.”
—Administration in the State of Arka, U.S. public relief program (1935-1943)