Red Meat - Style

Style

The strip features a cast of characters with abnormal personalities. A visual hallmark of the strip is the almost total lack of movement of the characters from panel to panel and a "Featureless Void" of no background. Cannon has said that he wanted Red Meat "to have a look that was somewhere between clip art and arresting minimalism, so that the text was more important than the art itself,".

Red Meat features "slug lines" at the top of each comic which are frequently alliterative. For example, "Official pace car of the apocalypse" or "puckered piehole of the pointless".

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Famous quotes containing the word style:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
    Gustave Flaubert (1821–1880)

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)