Ramon Llull - Works

Works

Llull is known to have written at least 265 works, including:

  • The Book of the Lover and the Beloved
  • Blanquerna (a novel; 1283)
  • Desconort (on the superiority of reason)
  • L'arbre de ciència, Arbor scientiae ("Tree of Science") (1295)
  • Tractatus novus de astronomia
  • Ars Magna (The Great Art) (1305) or Ars Generalis Ultima (The Ultimate General Art)
  • Ars Brevis (The Short Art; an abbreviated version of the Ars Magna)
  • Llibre de meravelles
  • Practica compendiosa
  • Liber de Lumine (The Book of Light)
  • Ars Infusa (The Inspired Art)
  • Book of Propositions
  • Liber Chaos (The Book of Chaos)
  • Book of the Seven Planets
  • Liber Proverbiorum (Book of Proverbs)
  • Book on the Seven Gifts of the Holy Spirit
  • Ars electionis (on voting)
  • Artifitium electionis personarum (on voting)
  • Ars notatoria
  • Introductoria Artis demonstrativae
  • Book of the Gentile and the Three Wise Men
  • Llibre qui es de l'ordre de cavalleria (The Book of the Order of Chivalry written between 1279–1283)
  • Le Livre des mille proverbes (2008), ISBN :9782953191707, Éditions de la Merci, editions@orange.fr
  • Vademecum, quo sontes Alchemica Art (cited by Arthur Dee in his Fasciculus Chemicus

About another 400 works are doubtfully or spuriously attributed to him.

Read more about this topic:  Ramon Llull

Famous quotes containing the word works:

    I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.
    Anton Pavlovich Chekhov (1860–1904)

    His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.
    Henry David Thoreau (1817–1862)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)