Ramon Llull - Works

Works

Llull is known to have written at least 265 works, including:

  • The Book of the Lover and the Beloved
  • Blanquerna (a novel; 1283)
  • Desconort (on the superiority of reason)
  • L'arbre de ciència, Arbor scientiae ("Tree of Science") (1295)
  • Tractatus novus de astronomia
  • Ars Magna (The Great Art) (1305) or Ars Generalis Ultima (The Ultimate General Art)
  • Ars Brevis (The Short Art; an abbreviated version of the Ars Magna)
  • Llibre de meravelles
  • Practica compendiosa
  • Liber de Lumine (The Book of Light)
  • Ars Infusa (The Inspired Art)
  • Book of Propositions
  • Liber Chaos (The Book of Chaos)
  • Book of the Seven Planets
  • Liber Proverbiorum (Book of Proverbs)
  • Book on the Seven Gifts of the Holy Spirit
  • Ars electionis (on voting)
  • Artifitium electionis personarum (on voting)
  • Ars notatoria
  • Introductoria Artis demonstrativae
  • Book of the Gentile and the Three Wise Men
  • Llibre qui es de l'ordre de cavalleria (The Book of the Order of Chivalry written between 1279–1283)
  • Le Livre des mille proverbes (2008), ISBN :9782953191707, Éditions de la Merci, editions@orange.fr
  • Vademecum, quo sontes Alchemica Art (cited by Arthur Dee in his Fasciculus Chemicus

About another 400 works are doubtfully or spuriously attributed to him.

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Famous quotes containing the word works:

    Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.
    Henry David Thoreau (1817–1862)

    My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
    Hannah More (1745–1833)

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)