Style
The song is structured as a series of ABAB quatrain verses, with each verse followed by a chorus that is just a repeat of the last line of the verse, which is always "won't you come see me Queen Jane". Each B line ends with a rhyme on "ain", while the A lines each end with a double-syllable rhyme, such as "cheek to / speak to" or "lent you / resent you". The music is recorded with a "warts and all" philosophy consistent with the rest of the Highway 61 Revisited album. The electric guitars are out of tune or out of phase and clash with the organ and piano chords, the bass has Spanish inflections, and the mix is raw with a sound similar to garage rock. Musicians on "Queen Jane Approximately" include Dylan, Mike Bloomfield on electric guitars and Al Kooper and Paul Griffin on keyboards.
Read more about this topic: Queen Jane Approximately
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“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
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“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
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