Style
The song is structured as a series of ABAB quatrain verses, with each verse followed by a chorus that is just a repeat of the last line of the verse, which is always "won't you come see me Queen Jane". Each B line ends with a rhyme on "ain", while the A lines each end with a double-syllable rhyme, such as "cheek to / speak to" or "lent you / resent you". The music is recorded with a "warts and all" philosophy consistent with the rest of the Highway 61 Revisited album. The electric guitars are out of tune or out of phase and clash with the organ and piano chords, the bass has Spanish inflections, and the mix is raw with a sound similar to garage rock. Musicians on "Queen Jane Approximately" include Dylan, Mike Bloomfield on electric guitars and Al Kooper and Paul Griffin on keyboards.
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Famous quotes containing the word style:
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)