Queen Jane Approximately - Style

Style

The song is structured as a series of ABAB quatrain verses, with each verse followed by a chorus that is just a repeat of the last line of the verse, which is always "won't you come see me Queen Jane". Each B line ends with a rhyme on "ain", while the A lines each end with a double-syllable rhyme, such as "cheek to / speak to" or "lent you / resent you". The music is recorded with a "warts and all" philosophy consistent with the rest of the Highway 61 Revisited album. The electric guitars are out of tune or out of phase and clash with the organ and piano chords, the bass has Spanish inflections, and the mix is raw with a sound similar to garage rock. Musicians on "Queen Jane Approximately" include Dylan, Mike Bloomfield on electric guitars and Al Kooper and Paul Griffin on keyboards.

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Famous quotes containing the word style:

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
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    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
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    His style is chaos illumined by flashes of lightning. As a writer he has mastered everything except language.
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