Prince Igor - Structure

Structure

  • This is a sortable table. Click on the button next to the criterion you would like to use to sort the information.
  • The numbers are given according to the traditional Rimsky-Korsakov-Glazunov edition.
  • The dates refer to composition, not orchestration. Where a pair of dates differ, a large gap (more than one year) may indicate an interruption of composition or a revision of the musical number.
  • In No.1 (the Prologue), the Eclipse scene (301 bars) was orchestrated by Rimsky-Korsakov and the remainder by Borodin.
No. Act Number Start End Composer Orchestrator
– – Overture 1887 1887 Glazunov Glazunov
1 – Prologue 1876 1885 Borodin Borodin*
2a Act 1, Scene 1 Chorus 1875 1875 Borodin Rimsky-Korsakov
2b Act 1, Scene 1 Recitative and Song: Galitsky 1879 1879 Borodin Borodin
2c Act 1, Scene 1 Recitative: Galitsky n.a. n.a. Borodin Rimsky-Korsakov
2d Act 1, Scene 1 Maiden's Chorus and Scena n.a. n.a. Borodin Rimsky-Korsakov
2e Act 1, Scene 1 Scena: Skula, Yeroshka n.a. n.a. Borodin Rimsky-Korsakov
2f Act 1, Scene 1 Song in Honor of Prince Galitsky: Skula, Yeroshka 1878 1878 Borodin Rimsky-Korsakov
2g Act 1, Scene 1 Chorus n.a. n.a. Borodin Rimsky-Korsakov
3 Act 1, Scene 2 Arioso: Yaroslavna 1869 1875 Borodin Rimsky-Korsakov
4 Act 1, Scene 2 Scena: Yaroslavna, Nurse, Chorus 1879 1879 Borodin Borodin
5 Act 1, Scene 2 Scena: Yaroslavna, Galitsky 1879 1879 Borodin Rimsky-Korsakov
6 Act 1, Scene 2 Finale: Yaroslavna, Galitsky, Chorus 1879 1880 Borodin Rimsky-Korsakov
7 Act 2 Chorus of Polovtsian Maidens n.a. n.a. Borodin Rimsky-Korsakov
8 Act 2 Dance of Polovtsian Maidens n.a. n.a. Borodin Rimsky-Korsakov
9 Act 2 Cavatina: Konchakovna 1869 1869 Borodin Borodin
10 Act 2 Scena: Konchakovna, Chorus 1887 1887 Rimsky-Korsakov / Glazunov Rimsky-Korsakov / Glazunov
11 Act 2 Recitative and Cavatina: Vladimir 1877 1878 Borodin Borodin
12 Act 2 Duet: Vladimir, Konchakovna 1877 1878 Borodin Rimsky-Korsakov
13 Act 2 Aria: Igor 1881 1881 Borodin Rimsky-Korsakov
14 Act 2 Scena: Igor, Ovlur n.a. n.a. Borodin Rimsky-Korsakov
15 Act 2 Aria: Konchak 1874 1875 Borodin Borodin
16 Act 2 Recitative: Igor, Konchak n.a. n.a. Borodin Rimsky-Korsakov
17 Act 2 Polovtsian Dances with Chorus 1869 1875 Borodin Borodin / Rimsky-Korsakov / Lyadov
18 Act 3 Polovtsian March 1869 1875 Borodin Borodin / Rimsky-Korsakov
19 Act 3 Song: Konchak n.a. n.a. Glazunov Glazunov
20 Act 3 Recitative and Scena n.a. n.a. Borodin Glazunov
22 Act 3 Recitative: Ovlur, Igor 1888 1888 Glazunov Glazunov
23 Act 3 Trio: Igor, Vladimir, Konchakovna n.a. 1888 Borodin / Glazunov Glazunov
24 Act 3 Finale: Konchakovna, Konchak, Chorus 1884 n.a. Borodin / Glazunov Glazunov
25 Act 4 Lament: Yaroslavna 1875 1875 Borodin Borodin
26 Act 4 Peasant's Chorus 1879 1879 Borodin Borodin
27 Act 4 Recitative and Duet: Yaroslavna, Igor 1876 1876 Borodin Rimsky-Korsakov
28 Act 4 Gudok-Players' Song, Scena and Chorus n.a. n.a. Borodin Rimsky-Korsakov
29 Act 4 Finale: Skula, Yeroshka, Chorus n.a. n.a. Borodin Borodin / Rimsky-Korsakov

Read more about this topic:  Prince Igor

Famous quotes containing the word structure:

    “... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.”
    —Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)

    “Man is more disposed to domination than freedom; and a structure of dominion not only gladdens the eye of the master who rears and protects it, but even its servants are uplifted by the thought that they are members of a whole, which rises high above the life and strength of single generations.”
    —Karl Wilhelm Von Humboldt (1767–1835)

    “What is the structure of government that will best guard against the precipitate counsels and factious combinations for unjust purposes, without a sacrifice of the fundamental principle of republicanism?”
    —James Madison (1751–1836)