Prince Bernhard of Lippe-Biesterfeld - Contemporary Media Coverage and Popular Culture

Contemporary Media Coverage and Popular Culture

In the years after Bernhard died his life story still fascinates many and is the inspiration for literature, theatre, television and even comic books. In 2010 fact and fiction of the life of Bernhard is portrayed in a Dutch television series. In the series it is insinuated that writer Ian Fleming, who personally knew Bernhard from their war efforts in London, based some features of his fictional character James Bond on Bernhard, who was for instance known to enjoy a vodka martini shaken and not stirred. Next to his reputation as a womanizer Prince Bernhard was also well known for his love for fast planes, fast cars and speeding. Among the villain's henchmen in the novel and film "Thunderball" one of them is named Count Lippe. He only knew of one person who was having a great time during World War II, and that it was Prince Bernhard.

In a biographical dissertation by Dutch journalist and historian Annejet van der Zijl published in March 2010, Bernhard was called "a failure" in the history of the Dutch royal family and a "creature of his own myths". With his lifestyle and the "myths" that he created around his own person would have done "permanent damage to the integrity of the monarchy".

Read more about this topic:  Prince Bernhard Of Lippe-Biesterfeld

Famous quotes containing the words contemporary, media, popular and/or culture:

    Generally there is no consistent evidence of significant differences in school achievement between children of working and nonworking mothers, but differences that do appear are often related to maternal satisfaction with her chosen role, and the quality of substitute care.
    Ruth E. Zambrana, U.S. researcher, M. Hurst, and R.L. Hite. “The Working Mother in Contemporary Perspectives: A Review of Literature,” Pediatrics (December 1979)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)

    The man of large and conspicuous public service in civil life must be content without the Presidency. Still more, the availability of a popular man in a doubtful State will secure him the prize in a close contest against the first statesman of the country whose State is safe.
    Rutherford Birchard Hayes (1822–1893)

    ... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.
    Katharine Fullerton Gerould (1879–1944)