Interbellum and The Return To Independence
Literature of the Second Polish Republic encompasses a short, though exceptionally dynamic period in Polish literary consciousness. The socio-political reality has changed radically with Poland's return to independence. In large part, derivative of these changes was the collective and unobstructed development of programs for artists and writers. New avant-garde trends had emerged. The period, spanning just twenty years, was full of notable individualities who saw themselves as exponents of changing European civilization, including Tuwim, Witkacy, Gombrowicz, Miłosz, Dąbrowska and Nałkowska (PAL). They all contributed to a new model of the twentieth-century Polish culture echoing its own language of everyday life.
The two decades of Interbellum were marked by rapid development in the field of poetry, undivided and undiminished for the first time in over a century. From 1918 to 1939, the gradual and successive introduction of new ideas resulted in the formation of separate and distinct trends. The first decade of Polish interwar poetry was clear, constructive, and optimistic; as opposed to the second decade marked by dark visions of the impending war, internal conflicts within the Polish society, and growing pessimism. The whole period was amazingly rich nevertheless. In 1933 Polish Academy of Literature (PAL) was founded by the decree of the Council of Ministers of the Republic (Rada Ministrów RP), the highest opinion-forming authority in the country awarding Gold and the Silver Laurels (Złoty, and Srebrny Wawrzyn), two highest national honors for contribution to literature. One of the most prominent poets of the interwar period was Bolesław Leśmian (member of PAL) whose creative personality developed before 1918, and in large part influenced both decades (until his death in 1937). The literary life of his contemporaries revolved mostly around the issues of independence. All Polish poets treated the concept of freedom with extreme seriousness, and many patriotic works had emerged at that time, not to mention a particular variant of a poetic cult of Piłsudski.
|
|
Read more about this topic: Polish Literature
Famous quotes containing the words return and/or independence:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“It is my duty to prevent, through the independence of Cuba, the U.S.A. from spreading over the West Indies and falling with added weight upon other lands of Our America. All I have done up to now and shall do hereafter is to that end.... I know the Monster, because I have lived in its lair—and my weapon is only the slingshot of David.”
—José Martí (1853–1895)