Production
The film is famous for its enormous, specially constructed set and background stage, known as 'Tativille', which contributed significantly to the film's large budget, said to be 17 million francs. The set required a hundred construction workers to construct along with its own power plant. Budget crises and other disasters stretched the shooting schedule to three years, including 1.4 million francs in repairs after the set was damaged by storms. Tati observed, perhaps correctly, that the cost of building the set was no greater than what it would have cost to have hired Elizabeth Taylor or Sophia Loren for the leading role. Budget overruns forced Tati to take out large loans and personal overdrafts to cover ever-increasing production costs.
As Playtime depended greatly on visual comedy and sound effects, Tati chose to shoot the film on the high-resolution 70 mm film format, together with a complicated (for its day) stereophonic soundtrack.
To save money, some of the building facades and the interior of the Orly set were actually giant photographs. (The photographs also had the advantage of not reflecting the camera or lights.) The Paris landmarks Barbara sees reflected in the glass door are also photographs. Tati also used life-sized cutout photographs of people to save money on extras. These cutouts are noticeable in some of the cubicles when Hulot overlooks the maze of offices, and in the deep background in some of the shots at ground level from one office building to another.
Read more about this topic: Play Time
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (18201895)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (18601935)